![]() It also gets the color transform correct from the color space and gamma the image was mastered to (and you can even enter in custom coordinates for non-standard sources). The silly name had me skeptical, but it works well, it handles the frame rate conversion flawlessly (without any frame interpolation) and it even adds proper naming and padding to make sure your frame size sits inside a DCP spec size container. FilmConvert Pro OFX legacy installer available here. Cross-Platform (macOS + Windows) Nitrate for DaVinci Resolve fully supported. In just a few clicks, choose from 19 motion and still film stocks crafted and optimized scientifically to work with the sensor in your digital camera. ![]() I was introduced to it by a friend who owns a movie theater. Easily add FilmConvert into your existing workflow. To get around the hassle when I’m dealing with fractional frame rate masters, I just use the free tool DCP-o-matic. Perhaps it’s now possible to retune the audio properly in the new Fairlight Page, but I couldn’t say for sure as I haven’t tested it. Touch device users can explore by touch or with swipe gestures. When the auto-complete results are available, use the up and down arrows to review and Enter to select. Simply press the dedicated stills button to record 21. This is where everything and anything related to BlackMagic Designs Pocket Cinema Camera (BMPCC), Micro Cinema Camera (BMMCC), Pocket Cinema. You can easily have Resolve reinterpret the frames at 24.00fps, but getting the audio correct is a challenge that has required using Reaper (or similar tool) to make sure the retiming didn’t shift the pitch at all. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you dont need to waste time sorting through thousands of shots Shoot Still Frames up to 21.2 Megapixels In addition to shooting video, the Blackmagic Pocket Cinema Camera can also capture high resolution stills. Resolve will not automatically make the proper conversion. ![]() DCP must be integer frame rates (like film) rather the fractional video frame rates used in North America. ![]() Another hurdle to jump is if your source master is 23.976fps (or 29.97fps) instead of 24.00fps (or 30.00fps).
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